I grew up near Paris, France and was trained in ceramic and design at the August
Renoir school of arts and techniques in Paris . In 1976 I became a resident in the Western U.S.
While living in the Northwest I picked up new ways of expression with basket making and knitting, they were
practical necessities at the time. By then I dreamed about learning a traditional form of weaving. In 1986 I
travelled to Nepal. In the Katmandu valley I met a Tibetan master weaver that taught me the art of knotted pile rug
weaving.
Back in Oregon, I gathered my tools and my husband David crafted a standing loom that could support the pressure of beating the wool pile over a tight cotton or linen warp, required in rug making. Later I learned to spin and dye my own yarns with wool fiber. Wool absorbs natural dyes very well and creates subtle colors.
In 1998 I receiced an award of excellence for artistic achievement and presentation at the Southwest Arts Festival in Albuquerque, New Mexico.
The mask making emerged from cultural influences including the French mardi-gras masquerades, and the Tibetan ceremonial dancing performed with terrific masks and costumes, combined with earlier experience with three dimentional clay work.
Back in Oregon, I gathered my tools and my husband David crafted a standing loom that could support the pressure of beating the wool pile over a tight cotton or linen warp, required in rug making. Later I learned to spin and dye my own yarns with wool fiber. Wool absorbs natural dyes very well and creates subtle colors.
In 1998 I receiced an award of excellence for artistic achievement and presentation at the Southwest Arts Festival in Albuquerque, New Mexico.
The mask making emerged from cultural influences including the French mardi-gras masquerades, and the Tibetan ceremonial dancing performed with terrific masks and costumes, combined with earlier experience with three dimentional clay work.
